“The writing of poetry is not a craft. We are making birds, not birdcages” –p.47, Dean Young, The Art of Recklessness

Revision is one of my least favorite things to do as a writer of fiction, but when it comes to poetry, I absolutely love it. As an editor, I work with many poets who are struggling to understand what a poem is and how they can improve their poetry. They see other poets succeeding (getting poetry acceptances, writing full-length collections, etc.) and want to know how to be a better writer of poetry.
In her MasterClass, Margaret Atwood says, “Revision means re-vision — you’re seeing it anew, and quite frequently when you’re doing that, you see possibilities that you didn’t see before and that light up parts of the book in a way that wouldn’t have happened if you hadn’t done that.”


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This might seem like a hot take, but no one wants to read your opinion about a book. No one cares. We don't read books so we can learn what critics like or dislike about them. We read books to escape our lives, to be enriched, to enlarge our imagination. 

Book reviews are vital to the book publishing world. They help readers determine whether they will want to read a book. They're a major factor in book sales. If you want to be a successful book reviewer, you have to look beyond just your own complaints.

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Have you ever thought about memory? It's such an important tool in writing poetry, and yet we remember things without even realizing it. Every moment of every day, we're remembering our grocery lists, our tasks, but also the memories of emotion and love and wonder and fear. Memory gets us through our day.

Mary Oliver said the goal of revising is to write "memorably." So what makes a reader remember a poem? As children, we were taught to memorize poetry. But most readers usually only memorize poems they love as adults. 
 
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I am stoked that Stephanie Wytovich, Bram Stoker Award-Winning Poet, asked me to interview for her blog! Stephanie was also kind enough to write this blurb about my forthcoming full-length book of poetry, The Smallest of Bones, now available for pre-order from CLASH Books. 

"A striking meditation on the body and its ghosts, this collection is a blossoming of bones and the trauma we hold inside, a gorgeous homage to the fever dreams and nightmares we collect, break, and survive with each and every day." —Stephanie M. Wytovich, author of The Apocalyptic Mannequin

Read the interview here . . .