 Poetry Barn Self-Paced Course: Writing Resistance Through Erasure, Found Text & Visual Poetry DATE: Ongoing TIME: Asynchronous, Self-paced PRICE: $99 Hybrid poetry forms can be a powerful form of resistance. From Jerrod Schwarz’s erasure of Trump’s inaugural speech to Niina Pollari’s black outs of the N-400 citizenship form, contemporary poets are engaging with the world through text, creating new and challenging works of art. Heralded by the rise of the “Instapoet,” visual works are a way to take poetry one step further by crafting new forms and structures that often transcend the page. In this four-module independent study workshop, you’ll study the forms of poetry that draw from outside sources and texts, learning how artists are reshaping the narrative of resistance and how to draw from news, media, canonical works, and other found texts to create our own work in conversation with the current world. Shortly after you register, you’ll receive an email containing an invitation to create an account and begin learning. (Please note: This class does not include feedback or interaction with the instructor or other learners.)  Writespace: Poetry Critique (Synchronous 1-Day Workshop) DATE: Saturday, October 10th 1-4pm CST TIME: Online, Synchronous In this workshop, we'll focus on four fundamentals that editors look for in poetry. It's one thing to write poems, it's another to start sending out your work to publishers. How do you know if the poem "works"? How can you revise a poem so it stands out in a slush pile? We'll focus on reading poetry like an editor, with an eye towards structure, word choice, content, and first and last lines. This is a critique workshop, so participants will be asked to submit up to two poems (max 4 pages) in advance.  Writespace: Introduction to Found Poetry (Online 4-Week Workshop) DATE: Sunday, October 4th - Sunday, November 1st TIME: Online, Asynchronous Found poetry is an umbrella term encompassing any poem that uses an outside source text to create a new original poem. Found texts may include but are not limited to: Newspapers, books, periodicals, graffiti, other poems, street signs, advertisements, propaganda, online media, Twitter posts, or anything with words that can be rearranged, erased, cut-out, or reformulated to create a new and wholly original piece of poetry. In this workshop, we'll learn the history of erasure and create our own found poems using methods of erasure or blackout, headline poetry, collage, remixing, cutting, cento poems, acrostic or golden shovel poems, and/or found title poems. This is a four-week workshop that takes place completely online. Participants will get the chance to write one poem a week and will be required to critique at least 2 other student's work each week. You may want to have a camera or phone with a camera (a scanner works great too) to upload photos of your poems, but this is not a requirement.  Writespace: Journaling Your Way to a Better Writing Life (Online 4-Week Workshop)
DATE: Sunday, November 8th - December 6th TIME: Online, Asynchronous Writers are observers. One way to keep track of your observations and ideas is through a writing journal. In this workshop, we'll cover the basics of journaling for writers. Not just as a method of processing and keeping track of your thoughts, but as a method of improving your writing life and working towards a career as a writer. We'll cover tracking your writing, how to manage large ideas or projects, tracking submissions, creating goals, revising in a journal, and more, all while exploring popular methods of journaling to find the one that works for you. If you feel out of sorts or disorganized in your writing life, this workshop is for you! This is a four-week workshop that takes place completely online. You may want to purchase a simple notebook to try out the techniques on your own. You'll be asked to share one journaling exercise a week and give feedback on each other's work.
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 I have a new poem up at Twisted Moon Mag, Issue 5: We Hold Up Eternity
You make me into all of your favorite things. Wax-winged, you model my body to your likeness. Everything must be similar, the remains. You step upon my altar, run a finger along my lips, lick the dust from your skin. It tastes like skin cells and sweat and stardust... Read the whole poem here . . . |
About the AuthorHolly Lyn Walrath is a freelance editor and author of poetry, flash fiction, and short fiction. Find her on Twitter @HollyLynWalrath
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