It’s my favorite day of the year, so I thought I’d share a poem from my back catalogue of published work. This poem is an erasure/blackout of Shirley Jackson’s book We Have Always Lived in the Castle.

In case you’re unaware of this form, erasures are a type of found poetry where you “erase” words from a found text and the words left behind form a poem.

Read the poem here . . . 

I have a new poem in Apparition Lit #8 (October 2019) - Belly of the Beast. This one is kind of romantic, which I felt like fit the theme of the issue, Euphoria. What is euphoric to you? For me, it's being with the person you love in the weirdest place you can think of. 

Let’s live in the belly of the beast.
You can bring a strong IPA
so smooth it’s like milk frothed.
I’ll bring Atwood and Ishiguro and Dickens.
We’ll watch Netflix in the blood vessels 
and make love in the open mouth
with the krill and saltwater
pooling at our knees . . .

Read the entire poem here . . . 
Add it to Goodreads
Buy it on Amazon: 

I have a new article up at Medium today on the economics of short fiction, how commercialism is changing what writers write, & a bit of advice from Shirley Jackson.

“The very nicest thing about being a writer is that you can afford to indulge yourself endlessly with oddness, and nobody can really do anything about it, as long as you keep writing and kind of using it up, as it were.” — Shirley Jackson (“Memory and Delusion,” Published in Let Me Tell You.)​

Read the entire article here . . . 

What if you woke up tomorrow knowing without a doubt you could write a bestseller? Paint a picture worth a million dollars? Release an album that was guaranteed to go to #1 on the charts?

What would you do?

This is the question behind Yesterday, a charming movie that pays homage to the works of The Beatles by erasing them from the world. Yesterday is a “what if” movie — What if The Beatles never existed? Himish Patel (best known for his work on the British soap Eastenders) plays down-on-his-luck musician Jack Malik, who wants someone to like his music other than his best friend Ellie (played by Lily James).
​
Read the entire article at Medium . . . 

I am honored to announce that my chapbook, Glimmerglass Girl, is the winner of the 2019 SFPA Elgin Award for best speculative poetry chapbook. I am grateful to the SFPA (Science Fiction and Fantasy Poetry Association) voting members for supporting this little book of weird poems about womanhood. 

Get your copy here . . . 

I have a new poem up today at Mirror Dance called Farewell Dead Men. I also talk about why fantasy is a genre I love: 

While science fiction is based in science, mystery is based in the pursuit of a question, and horror is based in evoking an emotion of fear, I believe that fantasy is the only genre which is purely pulled from the author’s deepest dreams and imaginings. The ability to dream up fantastical beasts and worlds seems to me to be a peculiarity of the human condition—one that even the most mundane of minds can learn to cultivate. Where did the idea for a dragon first come from or the hero myth? They are deeply ingrained paths that we continue to walk, following our ancestors through the mists of imagination.

Read my poem "Farewell Dead Men" here . . . 

I have a new poem up today at Kaleidotrope - "All the Glory of Her Earthly Shell." Big thanks to Fred for publishing this one. It's very personal to me, so I'm glad it found a home at Kaleidotrope. 

2018 was one wild ride of a year for me. I published my first chapbook. I took many workshops, attended many conferences, and met many new friends. I wrote a lot of things and learned a great deal while writing. 

I've been thinking about how the new year is an arbitrary date. We tell ourselves that it's time to rethink what we've done and to plan for the future. But the truth is that writing is always there. It's a well of creativity that you constantly have to refill, rethink, and renegotiate. As arbitrary as it might be, I love the new year. I love the idea that I might be able to make a difference in my future just by the power of positive thinking. 

In the words of Ursula K. Le Guin, we need to "see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope.”

I hope your new year is fantastic and full of all the things you love and enjoy. I hope we make it to next year feeling a bit less angry about the world. 

Here's what I wrote in 2018: 

• Glimmerglass Girl, Finishing Line Press 

​

I published several speculative poems eligible for the Rhysling Award: 

• Star*Line 41.4 (October 2018) - "A Terrible Meat Eating God"
• Liminality Issue #17 (Autumn 2018) - "Dead-Eye Girl" 
• Nice Cage (Issue 006, Climate Change And/Or Die, Summer/Spring 2018) - "Boll Heart," "And Farther Death Goes," "A Deep Enough Abyss" 
• Really System(Issue 19: Stymy a Seller, Summer 2018)- "Orbital Debris" 
• Undead: A Poetry Anthology of Ghouls, Ghosts, and More (Apex Book Company, July 17, 2018) - "Sea Fog"

I also published a few realist poems this year: 

• Texas Poetry Calendar 2019 (Kallisto Gaia Press, 2018) - "Dear Childhood"
• Terse Journal (Oct. 3, 2018) - "What it Feels Like to Play Video Games as a Woman" 
• "Erasure" (after Ralph Waldo Emerson) - in ARTHouston Magazine Issue#7 (September 2018) 
• Storyscape (Issue 20, July 2018) - "A Woman" (erasure of William Faulkner)and "She was a Nice Little Nothing" (erasure of Jack Kerouac) 
• ​Isacoustic, April 14, 2018 -  "espejitos"

​

I'm particularly proud to have published several stories in pro-paying publications this year. The following stories are awards eligible:

• Daily Science Fiction (August 13, 2018) - After the First Comes the Last
• Robots & Artificial Intelligence Short Stories (Flame Tree Publishing, September 2018) - Stardust
• Fireside Magazine (February 2018) - knick knack, knick knack

​

Here are the essays and reviews I published this year:

• ​Cotton Xenomorph (9/17/18) - ​YUM-DERDOME: Oh My Sweet Pickle Babies
  
• Up the Staircase (8/1/18) Review: Dear Judas by Melissa Jennings
  
• Trish Hopkinson's Blog (7/29/18) 6 Resources for Submitting Your Work
  
• Cotton Xenomorph (6/21/18) Manifestos: Six Principles of Flash Fiction
  
• ​Entropy Magazine (6/15/18) Review: Consolation Prize by Tyler Robert Sheldon 

That's it! Whew! As per usual, I am supremely grateful to the editors who continue to support my work and think it's worthwhile enough to grace the pages, or cyberspaces, of their publications. 

I have one more thing to be grateful for. This December, I decided to finally launch a small press and magazine. Now, there's not much to share right now as the ink is not quite dry yet on this new venture, but I promise to post soon about my plans. 

Now, who's ready for 2019? Let's do this.

I have a new prose poem up today at Terse Journal: What it Feels Like to Play Video Games as a Woman. 

Read the full poem here . . . 

My tarot-inspired story "Tarot of the Animal Lords" is now available on Amazon in the Shards Noblebright anthology by Spring Song Press. This story is about a woman trying to find her way out of a dystopian future where a mysterious illness has devastated the countryside. Along the way, she reconnects with her wild roots and the boyfriend she left behind. 

Get your copy today:

​I have a new poem, "Erasure" (after Ralph Waldo Emerson) - in ARTHouston Magazine Issue#7 (September 2018) 

Art
those souls / in the pictures /
breathe / memory /
in danger of forgetting /
that they had their origin /
in wax / and / paint / in the narrow lodging /
of a thought which pours itself /
color and form / barbaric pearl and gold /
I was to see / with eyes / pierced
/ with / salt water, to find that which was perfect /
in the chambers of / the earth

​I'm excited to share that my story "Tarot of the Animal Lords" will appear in the Shards anthology edited by C.J. Brightley. This is a story that I worked very hard on and always hoped would get picked up for publication. It's got a unique structure based on tarot cards. I hope you pick up your copy!

Pre-order a copy on Amazon!

I have two new poems up at Isacoustic - "When Darkness Leaves" (after Mark Strand) and "Diary Outside of April" (after Sylvia Plath).  These are both poems which reference other poets and if you can pay attention closely you might be able to figure out where the inspiration comes from! They are what I call "mirror" poems where I replace each word from another poet's work with an opposite word, eventually compiling my own poem. 

Read them here...

I have three new poems up at Nice Cage journal, as part of their "Climate Change And/Or Die" issue: "Boll Heart," "And Farther Death Goes," and "A Deep Enough Abyss"

Read the poems here...

What what! I'm giving away 10 signed, limited edition copies of #GlimmerglassGirl on Goodreads! 

While details are still being finalized, my publisher is planning on printing gorgeous hardcover versions of my chapbook, Glimmerglass Girl. If these are available in time, I'll be signing 10 copies for Goodreads readers! 

Enter to win!

If you just can't wait, be sure to download a free ARC version from NetGalley. 

I was interviewed by the kind editors over at Literary Orphans about my new book of speculative poems, Glimmerglass Girl, which is due out in August! Scott Waldyn has been nice enough to publish two of my pieces in the past, In the Dark World, a tiny microfiction about adolescence, and Peony Red, a poem which appears in my book and is about living a childfree existence as a woman. 

Read the whole interview here...
​

I have a new poem up at Really System today called "Orbital Debris," about one of my favorite subjects - Space junk!

Read it here