Holly Lyn Walrath
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Now Available for Pre-Order: "The Asylum" in Other Terrors: An Inclusive Anthology

1/28/2022

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I'm stoked that my short story "The Asylum" is in the Other Terrors anthology from the Horror Writer's Association, available July 2022. Here's some info on the anthology: 

An anthology of original new horror stories edited by Bram Stoker Award winners Vince Liaguno and Rena Mason that showcases authors from underrepresented backgrounds telling terrifying tales of what it means to be, or merely to seem, “other”

Offering original new stories from some of the biggest names in horror as well as some of the hottest up-and-coming talents, Other Fears will provide the ultimate reading experience for horror fans who want to celebrate fear of “the other.” Be they of a different culture, a different background, a different sexual preference, a different belief system, or a different skin color, some people simply aren’t part of the dominant community—and are perceived as scary. Humans are almost instinctively inclined to fear what’s different, as foolish as that may be, and there are a multitude of individuals who have spent far too long on the outside looking in. And the thing about the outside is . . . it’s much larger than you think.

In Other Fears, horror writers from a multitude of underrepresented backgrounds will be putting a new, terrifying spin on what it means to be “the other.” People, places, and things once considered normal will suddenly appear different, striking a deeper, much more primal, chord of fear. Are our eyes playing tricks on us, or is there something truly sinister lurking under the surface of what we thought we knew? And who among us who is really of the other, after all?

Pre-Order on Amazon and wherever books are sold . . . 
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Fall Workshops and Events

8/16/2021

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I wanted to make sure you saw these upcoming events I'll be at (in-person events pending black death). Come say hi!
Poetry Barn Self-Paced Course: Journaling for Poets
DATE: Ongoing
TIME: Asynchronous, Self-paced
PRICE: $99
Poets are observers. One way to keep track of your observations and ideas is through a writing journal. In this workshop, we'll cover the basics of journaling for poets, not just as a method of processing and keeping track of your thoughts, but as a method of improving your writing life and working towards a career as a writer.  In this workshop, you'll cover how to manage large ideas or projects, track submissions, create goals, revising, and more, all while exploring popular methods of journaling to find the one that works for you. If you feel out of sorts or disorganized in your writing life, this workshop is for you!
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Writing Speculative Fiction
DATE: Starts August 30 
4-Week Online Workshop with Writing Workshops Dallas
​PRICE: $249 
*This class is filling up fast! Sign up before it sells out like last time :) The world of speculative short fiction is a highly competitive but welcoming community where a new writer can make a start in their career. In this workshop, we'll explore the fine art of writing short stories for genre markets, with an exploration of the main tropes of each genre from science fiction to fantasy to horror. Picasso said, "Learn the rules like a pro, so you can break them like an artist." This workshop dives into the rules of speculative fiction and how to break them while honing your writing for pro markets. ​
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Writing Resistance Through Erasure, Found Text & Visual Poetry
Format: Independent Study, online

Hybrid poetry forms can be a powerful form of resistance. From Jerrod Schwarz’s erasure of Trump’s inaugural speech to Niina Pollari’s black outs of the N-400 citizenship form, contemporary poets are engaging with the world through text, creating new and challenging works of art. Heralded by the rise of the “Instapoet,” visual works are a way to take poetry one step further by crafting new forms and structures that often transcend the page.
In this four-module self-paced workshop, you’ll study the forms of poetry that draw from outside sources and texts, learning how artists are reshaping the narrative of resistance and how to draw from news, media, canonical works, and other found texts to create our own work in conversation with the current world.
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Fencon
September 17-19, Dallas, TX
Panels TBA
I'll be hosting a table at this con for Interstellar Flight Press! Come say Hi! 

Armadillocon 
October 15-17, 2021, Austin, TX 
Panels TBA 
I'll be hosting a table at this con for Interstellar Flight Press! Come say Hi! ​

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Goodreads Giveaway: The Smallest of Bones Signed Copies

8/14/2021

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Enter to win a copy of THE SMALLEST OF BONES
​by Holly Lyn Walrath


A haunting ossuary of tiny poems covering a wide range of topics such as love, romance, relationships, queer sexuality, religion, death, demons, ghosts, bones, gender, and darkness. The Smallest of Bones guides those on an intimate journey of body acceptance, with sparse words dedicated to peeling back skin and diving bone-deep into the self. Raw, honest, and powerful, this collection is an offering to those struggling to find power in the darkness.

​"ABSOLUTELY. FRAKKING. STUNNING POETRY."
—Rebecca Crunden, author of These Violent Nights
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Goodreads Book Giveaway

The Smallest of Bones by Holly Lyn Walrath

The Smallest of Bones

by Holly Lyn Walrath

Giveaway ends September 13, 2021.

See the giveaway details at Goodreads.

Enter Giveaway

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Revising Poetry and Wildness: Crafting an Entirely New Vision for Your Poems

6/29/2021

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“The writing of poetry is not a craft. We are making birds, not birdcages” –p.47, Dean Young, The Art of Recklessness

Revision is one of my least favorite things to do as a writer of fiction, but when it comes to poetry, I absolutely love it. As an editor, I work with many poets who are struggling to understand what a poem is and how they can improve their poetry. They see other poets succeeding (getting poetry acceptances, writing full-length collections, etc.) and want to know how to be a better writer of poetry.
In her MasterClass, Margaret Atwood says, “Revision means re-vision — you’re seeing it anew, and quite frequently when you’re doing that, you see possibilities that you didn’t see before and that light up parts of the book in a way that wouldn’t have happened if you hadn’t done that.”


Read the full article here . . .
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New Poem at Barely South Review - SACRUM

5/6/2021

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I have a new poem up at Barely South Review. This poem also happens to be part of my new book and debut full-length book of poetry forthcoming from CLASH Books in September of 2021. Stay tuned for more boney weirdness, y'all. 

Read the poem here . . .

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New Poetry Series: #SerialKillerSummer

5/1/2021

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Starting in May I’ll be doing a new poetry project on my Instagram.

#SerialKillerSummer is a series of erasure poems using found source text from famous murderers. I’ll be posting blackout poems (hopefully every day) that use the words of the creepiest, darkest, most rotten dirtbags and twist them. Erasure is the art of creating a poem from a found text by removing and cutting away words or blacking them out. What remains is an entirely new and original poem.

Why serial killers? Well, I’m a true crime junkie and I realized there are so many fascinating sources like interviews, court transcripts, manifestos, and other true crime found sources to work with. I got obsessed with how we can cut these killers down and get back at them for the lives they’ve taken. Manipulating their words is the best way I’ve found as an artist. My work is always interrogating the world we live in, shining a light in the darkest crevice.

Follow along on Instagram!
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New Poem up at Mithila Review

3/22/2021

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I have a new poem up today at Mithila Review! "We're Refugees Who Found Love Searching for Atlantis" is a pantoum poem that first appeared in Italian in my chapbook Numinose Lapidi from Kipple Press. I am very honored that Mithila Review agreed to publish the English and Italian version, translated by the late Marco Raimondo. 

Marco was an Italian translator of poetry who died due to complications surrounding his disability. Before he died, we discussed my sending out poems from the book so that they could be read together, and it was a dream of his to be published in magazines. I am honored to fulfill that dream today. 

Also, you can listen to me read the English version aloud in this publication :) 

Read it here . . . 
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What I Published in 2020

1/1/2021

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 It's that time of the year again! I'm here to update you with all the things I published last year. It's been a fruitful year despite all the chaos, and I am supremely grateful as always for the editors who read and enjoy my work. Thank you to all the publications on this list! 

This year I have several Rhysling-eligible poems for SFPA members to consider for nomination. "Yes, Antimatter is Real" is eligible for the Dwarf Stars Award. My short story "The Red Shoes" in the Coppice and Brake Anthology from Crone Girls Press is eligible for the HWA Bram Stoker Awards in the anthology category. (If you'd like a copy of the anthology to review, send me an email at hlwalrath at gmail dot com.)

Poetry

Download a PDF of all my 2020 poems here

​Short Poems
  • Now the Patient Recounts the Houses in Her Mind (Eye to the Telescope Issue 36, April 2020, House & Home, edited by Emma J. Gibbon)
  • Acacia (Liminality: A Magazine of Speculative Poetry Issue #24 - Summer 2020)
  • Dear Future (Star*Line Issue 43.3, Summer 2020) 
  • We Hold Up Eternity​ (Twisted Moon Mag, Issue 5, August 2020)
  • Divergent and Rotten to the Core​​ (Liminality Issue #25, Autumn 2020)
  • Yes, Antimatter Is Real (Analog Science Fiction and Fact Sep/Oct 2020)
  • So Many Blank Moons (Analog Science Fiction and Fact Nov/Dec 2020)
  • It's Never Going to Stop (Pork Belly Press Love Me, Love My Belly Zine No.5, 2020)
 Long Poems
  •  Daughters Saving Mothers (Liminality: A Magazine of Speculative Poetry, Issue #23 – Spring 2020)
Short Fiction
  • The Red Shoes (Coppice & Brake: A Dark Fiction Anthology by Crone Girls Press) 

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Fall 2020 Workshops

8/15/2020

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​Poetry Barn Self-Paced Course: Writing Resistance Through Erasure, Found Text & Visual Poetry
DATE: Ongoing
TIME: Asynchronous, Self-paced
PRICE: $99

Hybrid poetry forms can be a powerful form of resistance. From Jerrod Schwarz’s erasure of Trump’s inaugural speech to Niina Pollari’s black outs of the N-400 citizenship form, contemporary poets are engaging with the world through text, creating new and challenging works of art. Heralded by the rise of the “Instapoet,” visual works are a way to take poetry one step further by crafting new forms and structures that often transcend the page. 

In this four-module independent study workshop, you’ll study the forms of poetry that draw from outside sources and texts, learning how artists are reshaping the narrative of resistance and how to draw from news, media, canonical works, and other found texts to create our own work in conversation with the current world.

Shortly after you register, you’ll receive an email containing an invitation to create an account and begin learning. (Please note: This class does not include feedback or interaction with the instructor or other learners.)
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Writespace: Poetry Critique (Synchronous  1-Day Workshop)
DATE: Saturday, October 10th 1-4pm CST
TIME: Online, Synchronous 
​In this workshop, we'll focus on four fundamentals that editors look for in poetry. It's one thing to write poems, it's another to start sending out your work to publishers. How do you know if the poem "works"? How can you revise a poem so it stands out in a slush pile? We'll focus on reading poetry like an editor, with an eye towards structure, word choice, content, and first and last lines. This is a critique workshop, so participants will be asked to submit up to two poems (max 4 pages) in advance. ​
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Writespace: Introduction to Found Poetry (Online 4-Week Workshop)
DATE: Sunday, October 4th - Sunday, November 1st
TIME: Online, Asynchronous
​Found poetry is an umbrella term encompassing any poem that uses an outside source text to create a new original poem. Found texts may include but are not limited to: Newspapers, books, periodicals, graffiti, other poems, street signs, advertisements, propaganda, online media, Twitter posts, or anything with words that can be rearranged, erased, cut-out, or reformulated to create a new and wholly original piece of poetry. In this workshop, we'll learn the history of erasure and create our own found poems using methods of erasure or blackout, headline poetry, collage, remixing, cutting, cento poems, acrostic or golden shovel poems, and/or found title poems. 

This is a four-week workshop that takes place completely online. Participants will get the chance to write one poem a week and will be required to critique at least 2 other student's work each week. You may want to have a camera or phone with a camera (a scanner works great too) to upload photos of your poems, but this is not a requirement. ​
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Writespace: Journaling Your Way to a Better Writing Life (Online 4-Week Workshop)
DATE: Sunday, November 8th - December 6th
TIME: Online, Asynchronous
​Writers are observers. One way to keep track of your observations and ideas is through a writing journal. In this workshop, we'll cover the basics of journaling for writers. Not just as a method of processing and keeping track of your thoughts, but as a method of improving your writing life and working towards a career as a writer. We'll cover tracking your writing, how to manage large ideas or projects, tracking submissions, creating goals, revising in a journal, and more, all while exploring popular methods of journaling to find the one that works for you. If you feel out of sorts or disorganized in your writing life, this workshop is for you!

This is a four-week workshop that takes place completely online. You may want to purchase a simple notebook to try out the techniques on your own. You'll be asked to share one journaling exercise a week and give feedback on each other's work.
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New Poem at Twisted Moon Mag

8/11/2020

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I have a new poem up at Twisted Moon Mag, Issue 5: We Hold Up Eternity 

You make me into all of your favorite things. Wax-winged, you model my body to your likeness. Everything must be similar, the remains. You step upon my altar, run a finger along my lips, lick the dust from your skin. It tastes like skin cells and sweat and stardust...

Read the whole poem here . . . 


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New Poem up at Liminality: Acacia

6/22/2020

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I have a new poem up today at Liminality: A Magazine of Speculative Poetry. This poem is called “Acacia,” and it’s named after a plant commonly used in rituals and spellcraft.

Use to anoint torches and consecrate hope chests. Endows protection as well as psychic and mystical powers. If planted inside a fairy ring, it will bring prosperity to the closest home. If burned, it creates a hypnotic state that is often perilous.
​

TW: This poem deals with illness and cancer.

Read the poem at Liminality
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New Poem at Write Wild: She Learns How to Disappear

6/1/2020

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She memorizes the little spaces she could hide in --
the white place between letters on the page,
the dashboard — a blushing radio throne . . .


Read the poem at Write Wild . . . 

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New Essay at write Wild: Are Writing Contests Worth Entering?

6/1/2020

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Everything you’ve ever wanted to know about contests and writing fees, in one handy article. Writing contests abound. There are 695 contests on Duotrope’s listing of prizes and contests for poetry alone. There are writing contests run by big magazines and writing contests by little academic journals. Some contests pay a great deal, upwards of thousands of dollars, while others may pay a smaller amount. Some contests come with publication, others are a cash payout only. In some ways, this pay-to-pay model mirrors the way artists submit their work, often asked to pay a fee to be a part of an exhibition or gallery.

Read the whole article here . . . 
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New Story Up at Curious Fictions: Tarot of the Animal Lords

6/1/2020

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There are many ways to play this game. In the forest of secrets, the past is always the first card drawn. To interpret the cards, one must keep in mind the divinatory and symbolic meaning of every single card. This works best in partners—an oracle and a querient. If a card appears upside down, its meaning changes, suggesting the opposite. These other meanings may be seen as yin and yang, black and white, dark and light, but the best oracles learn how to read between the lines...

Read the full story at Curious Fictions . . .
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New Story at Curious Fictions: knick knack, knick knack

5/4/2020

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When you were a child, white skulls used to follow you through the woods. You tried to catch a glimpse of them, but when you turned your head their skeleton bodies would disappear, fading into the canopy. Only their bone-voices remained, clacking through the trees, knick knack, knick knack . . .

Read the full story at Curious Fictions . . . 
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New Story at Curious Fictions: We NEver Are What We Intend

4/16/2020

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We all have a little darkness inside. Except mine is real. I see it when I look in the mirror. I turn my head to reach for a towel after showering; the mirror is white with fog and from the corner of my eye my shadow moves—like it’s got a mind of its own. Like it’s waving hello. It’s not there when Benny comes to stay. I’ve been asking her over a lot more...

Read the full story at Curious Fictions . . . 
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New Poem Up at Eye to the Telescope

4/16/2020

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I have a new poem up at the Science Fiction and Fantasy Poetry Association mag Eye to the Telescope. It’s called “Now the Patient Recounts the Houses in Her Mind.” This poem is inspired by the work of author Shirley Jackson. It’s a combination of The Haunting of Hill House and We Have Always Lived in the Castle.

Read it here . . . 
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Review of My Story "The Red Shoes" Up at Kendall Reviews

4/15/2020

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Thanks to J.A. Sullivan for reading the Coppice & Brake Anthology from Crone Girls Press, and this lovely review of my story "The Red Shoes."

One of the stories I enjoyed most, “The Red Shoes” by Holly Lyn Walrath, is a perfect example of unexpected twists. Walrath gives us a story of a lonely old witch in a deserted forest. You would expect that when the witch finds a lost girl (“A lovely redheaded thing curled in the litter of the forest floor like a fairy in bracken”), she would immediately make a meal of her, as the witch had done with so many other helpless children through the years. Yet she doesn’t. Obsessed with the past when trolls, werewolves, and other sorcerers called the woods home, the old woman casts a spell on a pair of red shoes for the girl. But magic rarely brings us the things we most desire, especially not without a hefty price. This was a beautifully written story with sharp images, and it reminded me of being a child, listening to Grimms’ Fairy Tales for the first time.

Read the full review here . . . 
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Crafting a Small Poetry Collection

2/1/2020

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I’m reading the poetry book submissions for Interstellar Flight Press, it occurs to me that a lot of writers struggle to put together poems for a collection. But when the right congregation of poems appears, it’s so exciting as an editor. Poems, when collected, have the ability to speak to each other in new and interesting ways not explored in their individuality.

Read the full article here . . . 

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Instapoems from My New Chapbook

1/19/2020

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I am sharing excerpts from my new poetry chapbook over on my Instagram page, so I thought I would combine them here for easy reading. I will update this as new translations come in! My new chapbook is called Numinose Lapidi and it will be published soon by Kipple Press.

Read the full article here . . . 

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What I Published This Year

12/26/2019

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Every year at the end of the year I post a review of all the articles, poems, stories, and books I’ve published that year. 2019 was a big year for me in writing. While I felt like I wasn’t getting a lot done, I was surprised when I looked back and realized I really had written a great deal.

Most of my time was spent working on two novels-in-progress. But I did manage to send out some poems for publication too. I’m very honored by the editors who recognized and published my work. Here’s to 2020 and another year of writing.

Books
Glimmerglass Girl — Won the Elgin Award for best speculative chapbook
Numinous Stones — To be published in Italian in 2020 by Kipple Press

Poems
The 2019 Science Fiction and Fantasy Poetry Association Contest, Winner: Short Form Category: The Fox and the Forest (Erasure of Ray Bradbury)
The 2019 Science Fiction and Fantasy Poetry Association Contest, Winner: Long Form Category: The Mining Town
Apparition Lit #8 (October 2019) — Belly of the Beast
Mirror Dance Issue 44 (Spring 2019) — Farewell Dead Men
Not One of Us #61 (April 2019) — ​A Book Is a Tomb and Words Are Souls
The Avenue: Issue V: Music (April 2019) — Chopin Falls in Love with the Night (1827–1846)
The Knicknackery Issue 6 (February 2019) — Bayou Dream
Dreams & Nightmares Magazine (Issue #111, January 2019) — An Unknowing Breach of the Law
Kaleidotrope (Winter 2019) — “All the Glory of Her Earthly Shell”

On Writing:
Medium (12/18/19) — My NaNoWriMo Was a Mess
Writing Hacks (11/27/19) — Tricking Yourself into Writing
Bulletproof Writers (11/28/19) — The End of the Year Sometimes Sucks for Creatives
Storymaker (11/25/19) — Reluctantly Writing About Death
Interstellar Flight Press (11/15/19) — Defying Genre in The Dream House
Daily Muse Books (10/24/19) — NaNoWriMo Isn’t Just for Books
Medium (10/15/19) — Does Publishing Short Stories Matter?
Medium (9/4/19) — The Writing Life: An Infographic
Medium (8/28/19) — 40 Writing Milestones to Celebrate
Medium (8/21/19) — Queries, Contributors, and Common Terms: An A-Z glossary for submitting writing
Horror Writer’s Association Newsletter (7/1/19) — Darkness & Light
​
Medium (5/16/19) — Fighting Rejection & Imposter Syndrome
Medium (5/3/19) — Switching Genres
​
Medium (4/3/19) — Creating a Writer’s Mission Statement
​
Medium (3/27/19) — NaPoWriMo: A Poet’s Challenge
​
Dream Foundry (3/14/19) — The Cone of Silence
​
Medium (3/11/19) — These are a Few of My Favorite Rejections
​
Medium (1/31/19) — Forming a Critique Group 101

If you are a member of the SFPA, my poems are eligible for the Rhysling Award. Click here to download a PDF version for reading. 
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New Medium post: My NaNoWriMo was a Mess

12/18/2019

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Do you ever think as humans we’re just afraid to get our hands dirty? That we’ve engineered our lives to be as perfect, pristine, and efficient as possible? And that maybe, if we aren’t perfect, then we’re failures?

I’m trying to abolish this idea from my creative life. The idea of perfection.

Read the full article here . . .
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December NaNoWriMo Special

12/1/2019

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​I'm offering $150 manuscript reviews in the month of December only for NaNoWriMo participants. Here's what you get: 
  • A 1-3 page letter with developmental feedback on your book focusing on big-picture stuff: characters arc, story/plot arc, general writing style, and pacing.
  • Need help figuring out where to start in revision? I'll point to areas of the manuscript that need the most attention first. 
  • Want to submit your book to an agent in the future? I'll provide specific tips for how to gear the first three chapters of your book to an agent.
     
​     The normal cost for this kind of consultation is upwards of $500-1,000, so this is an utterly mad deal (and I sometimes feel utterly mad for offering it!)
     Finishing NaNoWriMo can feel really like a letdown sometimes. It's like the day after Christmas. But getting a second set of eyes on your manuscript can help you approach revision. 

​How To Sign Up: 
To sign  up, send me an email to hlwalrath (at) gmail (dot) com in the month of December with the following: 
  • A copy of your manuscript, 50,000 words or less
  • Your Paypal email for payment (or Venmo/other payment system) 
  • Any specific issues or questions you have

​About Me
I am a freelance editor with 5+ years of experience helping writers level up their words. I am based out of Houston, Texas. I am a member of the Editorial Freelancers Association, Codex, SFPA, and Writespace, a local literary non-profit where I regularly teach writing workshops. I love working with writers of all genres, experiences, and backgrounds, but I love new writers best. I have won NaNoWriMo once(!) but I always participate because it's my favorite writing event of the year. 

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The End of the Year Sometimes Sucks for Creatives

11/28/2019

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Around November, Writing Twitter starts talking about the end of the year. It’s NaNoWriMo, so people are often talking about writing anyway. But also, it’s the time of the year when, if you’re a writer in science fiction or fantasy, you should be posting your “What I Published This Year,” or “Awards Eligibility” post.

A lot of writers use this time to celebrate the works they’ve published over the year and encourage others to nominate them for best of lists and prize consideration, like the Pushcart Prize or Hugo Awards. Journal editors on the literary side announce their nominations for the Pushcart around this time. 2019 is also the end of a decade, so now people are also posting encouraging writers to share what they accomplished in the last decade. We’re sharing pics of ourselves in 2009 and 2019 to show the passage of time.

But I know that a lot of creatives struggle with all this.

Read the whole post here . . . 
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Tricking Yourself into Writing

11/27/2019

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I love the above image. It’s a photograph taken at Natural Bridge State Park, where someone has carved this quote from J.R.R. Tolkien into a walking path. J.R.R. Tolkien probably never imagined the life his work has taken on after his death — that someone would take the time to carve his words in a public space. In fact, I know he didn’t.

John Hendrix, an artist, recently posted a quote from Tolkien’s diary while he was writing Lord of the Rings. It reads:

Friday 14 April: ‘I managed to get an hour or two’s writing, and have brought Frodo nearly to the gates of Mordor. Afternoon lawn-mowing. Term begins next week, and proofs of Wales papers have come. Still I am going to continue “Ring” in every salvable moment.’

Read more here . . .
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    About the Author

    Holly Lyn Walrath is a freelance editor and author of poetry, flash fiction, and short fiction. Find her on Twitter @HollyLynWalrath

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