I'm stoked to once again be paneling at Readercon in Boston July 11-14! Here is a list of the panels I'll be on and where you can find me. Oh, and this year, I managed to convince my spousal unit to come along. If you see us around at the con, please come say Hi! I love meeting new writer friends.
Writing Craft and Mentoring Programs
Friday, 12pm - Salon 4
Panelists: Jack Dann, Theodora Goss (mod), Kate Maruyama, Kenneth Schneyer, Holly Walrath
Those who want to learn the craft of writing popular genre fiction have more options then ever. MFA programs and workshops of excellent repute are popping up all over the U.S., from Stonecoast in Maine to Clarion in California, as well as in other parts of the world. With so many options, how does one choose? Panelists who have participated in these programs as mentors or mentees will discuss their experiences.
Amazon, Goodreads, NetGalley, and Edelweiss, Oh My!
Friday, 7pm - Salon B
There are a variety of valuable resources for independent authors out there, but how does one choose among them, and how can an indie book stand out among the crowd? Holly Lyn Walrath will explain how to navigate the available options for self-publishing and explore how books can reach more readers via the growing field of reviewer markets.
Rainbow Open Mic
Saturday, 6pm - Sylvanus Thayer Room
Celebrate the voices of LGBTQIA2P writers! Read your work out loud among a group of welcoming peers. Hear new work by established authors and meet new writers! If your identity is anywhere on or under the rainbow, you're welcome to read your work; allies are invited to attend and listen. Sign up at the information desk.
Hybrid poetry forms can be a powerful form of resistance. From Jerrod Schwarz’s erasure of Trump’s inaugural speech to Niina Pollari’s black outs of the N-400 citizenship form, contemporary poets are engaging with the world through text, creating new and challenging works of art. Heralded by the rise of the “Instapoet,” visual works are a way to take poetry one step further by crafting new forms and structures that often transcend the page.
In July, I'll be teaching a 4-week course online at the Poetry Barn on this very topic! We’ll study the forms of poetry that draw from outside sources and texts, learning how artists are reshaping the narrative of resistance and how to draw from news, media, canonical works, and other found texts to create our own work in conversation with the current world.
Click here to sign up for online workshop . . .
The hardest part about submitting your writing is battling imposter syndrome and self-rejection. It doesn’t matter how you track your submissions or how many submissions you make in a year. Every writer has a different process that works for them. But it does matter if you never try — and these two things can make you freeze up when it comes time to hit send on a submission. That's why I posted a new article over at Medium today on this very topic.
Read the whole post here . . .
I am beyond honored that my poem "Dead-Eye Girl" is nominated for the 2019 Science Fiction and Fantasy Poetry Association Rhysling Award for best speculative poem of the previous year. This little poem first appeared in Liminality Magazine in 2018. Print copies are now available of the anthology on Amazon! Members of the SFPA can vote on which poem they want to win.
Buy a copy of the anthology here . . .
I have a new post today at Medium on Switching Genres: How to move from writing “realism” to “speculative” genres. I love this topic because I love fighting back against the idea that a genre has to be one thing or the other. I hope these tips are helpful to writers who are looking to break out of a writing rut and try something new!
Read the full article at Medium . . .
I'm stoked to once again be a panelist at Comicpalooza this year in Houston, Texas. Comicpalooza has grown to be a massive comic con with cosplay, celebrities, and of course literature panels! This year we host the mother of dragons, Emilia Clarke, and I for one will be waiting in line for her panel.
If you see me around at the con, come say Hi!
Panels for Comicpalooza 2019:
Art & Writing Crossovers, from Comics to Artist Collaborations
Friday May 10, 2019 2:00pm - 3:00pm
Art and literature have always inspired each other. How do visual art and writing inspire and reveal a creative process? What can emerge when one form is refracted through another? Has there been a different emergence of the combination in a reality that seems more visualized and surreal? Join us for a lively discussion of the mediums' crossover and influences.
Speculative Poetry Deathmatch!
Saturday May 11, 2019 4:30pm - 5:30pm
Join us for an entertaining and interactive panel on science fiction, fantasy and horror poetry. Learn a little about speculative poetry, hear poets read some of their works, and then participate in a lyrical death-match in which you, the audience, decide which poet walks away with a tinfoil crown and bragging rights.
No Right Way to Write: Techniques for New Writers
Sunday May 12, 2019 12:00pm - 1:00pm
There is no one correct way to write. One of the challenges of new writers is to find the way that works best for them. Some people require strict outlines. Others require just bullet points. And still others require nothing more than an idea and a few notes on a napkin. This panel is on writing techniques, from outline usage to writing organically, allowing your information to come out in a smooth fashion. Learn the way to write that is right for you!
Beyond Earthsea: Ursula K. Le Guin's Writing Legacy
Sunday May 12, 2019 3:00pm - 4:00pm
As one of the greatest science fiction writers, Ursula K. Le Guin explored politics, the environment, myth, gender, and their intersection with our reality. She was an advocate for social justice and women writers. Join us for a discussion celebrating and paying tribute to Le Guin's work and influence.
Today at Medium, I write about crafting a "mission statement" for your writing career and how it can help you meet your goals. Thinking about your writing as a brand helps to combat self-rejection and imposter syndrome. It puts a bit of distance between you and your work — and that can be a lifesaver in the future when you’re looking at hard decisions about where to publish and why.
Read the whole post here . . .
I am on the radio today reading poetry! If you're in Houston you can catch my segment in the 2019 edition of Voices and Verses on Houston Public Media. Click above to listen!
In this sound portrait, Walrath describes how she fell in love with poetry in high school, her love of the weird and her inspirations. She reads her poem, “Blue Cadillac.”
Oh, the way you sat in
the drive, taking it all up.
I climbed into your cool interior, sliding
across the widest, darkest navy seats
spread beyond me, beyond my vision.
They seemed to expand and dissolve
into a bright light on the driver’s side.
We drove, through endless lanes
of white picket fences, long green,
green lawns, the Texas sun staccato
in the trees, and it may be that I wore
an Easter Sunday dress, all laced in white,
and bows on my tights, or white slumping socks
above black buckle shoes shining with polish.
And in the heat of a Texas summer,
how you could swallow me up
in your blue dusty smell, that
sweet sweet tobacco tucked
into the glove compartment
beside a lady’s silver lighter.
For the sun merely seemed
to enclose you, a line of gold
light above the leather dash.
But the very roundness of you, round seats
and silver knobs and panels like porthole
windows into another time, but mostly
the round, stitched-leather steering wheel
which was surely made for white driving gloves.
And somehow in this memory of you,
your massive lines like some primordial
behemoth long since dead and buried in
ice, the very blueness of you, I may have
remembered myself, another classic beauty.
This poem was published in my chapbook, Glimmerglass Girl.
I have a new poem up today at Mirror Dance called Farewell Dead Men. I also talk about why fantasy is a genre I love:
While science fiction is based in science, mystery is based in the pursuit of a question, and horror is based in evoking an emotion of fear, I believe that fantasy is the only genre which is purely pulled from the author’s deepest dreams and imaginings. The ability to dream up fantastical beasts and worlds seems to me to be a peculiarity of the human condition—one that even the most mundane of minds can learn to cultivate. Where did the idea for a dragon first come from or the hero myth? They are deeply ingrained paths that we continue to walk, following our ancestors through the mists of imagination.
Read my poem "Farewell Dead Men" here . . .
I have a new update for Interstellar Flight Magazine today. As Managing Editor, I’m excited to share with you some of our news for this month. We are working on building a staff of editors, slush readers, and writers! As a new indie press, it’s a lot of work getting started.
Read my March Round-Up here . . .
I have a new post at Medium about April and NaPoWriMo! National Poetry Month was inaugurated by the Academy of American Poets in 1996. It’s also NaPoWriMo (National Poetry Writing Month)— an offshoot of NaNoWriMo (National Novel Writing Month). During this month, magazines, workshops, radio shows, news sources, and readings showcase poetry in all its forms. Writers participate in the challenge of writing one poem a day during the month of April.
Read my full post at Medium . . .
I have a new post up at Medium that's a comprehensive guide to submitting literary short stories! Find out how to tier your submissions, keep track of them, what multiple and simultaneous submissions are, and more!
Read the full post here . . .
I wrote a guest blog post at Dream Foundry on whisper networks and breaking into the SFF community.
Dream Foundry wanted me to write a guest post aimed at new creatives, and it got me thinking about how I got my start in the SFF world. It wasn't an easy journey. When I look back at my early years trying to find my own voice and place, sometimes I cringe. Because I'm not perfect, and the community isn't perfect, and to be honest, things could be better. There's a lot of emotion wrapped up in those memories.
I am writing from personal experience, but a lot of the experience I've had has been hurtful and hard to process. Which is to say, I am not perfect and I do not represent all experiences. Everyone has their own story about how they got into the SFF community, and those stories range in their measure of negativity/positivity.
I'd like to thank Dream Foundry for letting me talk about this important topic. Also, if you're a new writer or new SFF community member and you want advice/help/support/to chat, please know that I am here. I'm always willing to talk to new folks and help if I can.
Read the guest post at Dream Foundry . . .
I have a reprint up at Flash Fiction Online this month of my little boney, witchy story "knick knack, knick knack." This little story has seen a lot of love since it first appeared in Fireside last February 2018! It also appeared as part of a local art exhibit, Color:Story. The above artwork is the piece that Houston artist Marlo Saucedo made after reading this story.
What I love about this story is that so many people have different interpretations of it. I first wrote it inspired by the kodama in Japanese film Princess Mononoke, and also the idea of wanting to tell a mother/daughter story about aging. Marlo interpreted the story as following the tradition of the Mexican holiday Día de los Muertos. The idea of skull spirits is not central to one culture, but many. We put a lot of weight in the dead as humans, and I've always been fascinated by the different myths we create about the spirits who guide us. So I'm grateful that people continue to enjoy this little flash story.
Read the story at Flash Fiction Online . . .
I have a reprint essay over at Medium today! This is a reworking of an article I wrote for ARTHouston magazine a few years ago. Just as relevant today, it asks how we define art and our legacy as artists.
Read the article here...
I have a new article up on Medium today for writers of short fiction who want to submit their work to Science Fiction, Fantasy, and other Genre publications! This is meant to be an exhaustive, detailed, step-by-step guide for new writers.
By the way, I've published this for members on Medium, but if you're not a member and you'd like a copy, please let me know and I'll send you one. I'm also teaching an online workshop in May with Writespace about this very topic! Registration is open now at $190 until April 27.
Read the article here . . .
In February, I'm doing a poetry challenge where I write one tiny poem a day. Thank goodness for tiny post-its! I got this idea randomly and decided to roll with it over on my Instagram page.
But you can also follow along here if you don't have Instagram.
It's funny because you'd think that compressing a big concept into a tiny space would be really hard, but I've actually found it to be quite compelling. There's a reason haiku are so popular!
I'm starting a new series on Medium for new writers. My first article is on finding a critique group. It can be frustrating to find a critique group if you’re a new writer. Groups often don’t take new members or don’t advertise when they do. That’s why it’s usually easier to just start your own group. I recommend getting out in the community and meeting other writers, then finding those that truly get your voice and what you’re doing with your writing.
Read the full article here . . .
I have an essay up at Medium today, on the anniversary of Ursula K. Le Guin's death, about her famous short story, "The Ones Who Walk Away from Omelas." If you haven't read this powerful story, I suggest you get thee to a bookstore and pick up her short story collection, The Unreal and the Real. It will make you rethink your worldview.
Read the essay here...
I posted a reprint essay over at Curious Fictions for my subscribers -- "Defining Art."
I wrote this essay several years back when I first started writing. It's about what Art is and how we make our legacies as creative people. As a writer, I often wonder what lasting effect my work will have when I am no longer here. I'm fascinated by artists who only became popular after their deaths.
If you want to read more essays and stories by me, you can subscribe over at Curious Fictions to receive exclusive content! Curious Fictions is a website similar to Patreon but with a science fiction/fantasy focus. Discover cool stories from new writers and help support my writing by joining!
I've got a new article over at Medium.com on working with a freelance editor. Over my four years of editing, I've come to learn that many writers don't understand what it means to work with a freelance editor. Working with an editor can be a big boost to your writing career, especially if you want to publish your work. I'm glad to share my experience, and if you have questions, please feel free to email me or leave them in the comments!
Over at Medium, I'm sharing five writing tips that I'm carrying into 2019. It's a bit of a "Here's what I learned" mixed with "Here's what I still need."
Y'all, writing is hard. It's constant work. It's a balancing act. You're never really done. I wanted to recap some things that I'm keeping with me for 2019, but I know I'm still learning.
What did you learn about your writing last year?
I have a new poem up today at Kaleidotrope - "All the Glory of Her Earthly Shell." Big thanks to Fred for publishing this one. It's very personal to me, so I'm glad it found a home at Kaleidotrope.
Holly Lyn Walrath is a freelance editor and author of poetry, flash fiction, and short fiction. Find her on Twitter @HollyLynWalrath
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Holly Walrath's books on Goodreads
ratings: 19 (avg rating 4.21)
Our Space: Shorts & Poetry from the Houston Community
ratings: 4 (avg rating 4.25)
In Medias Res: Stories from the In-Between
ratings: 2 (avg rating 4.50)
The 2017 Rhysling Anthology: The Best Science Fiction, Fantasy & Horror Poetry of 2016 Selected by the Science Fiction Poetry Association
ratings: 16 (avg rating 4.31)
ratings: 9 (avg rating 4.67)