Hey y’all! I’m doing another Instagram poetry challenge this month. My goal is to write a queer poem a day in celebration of Pride Month. You can follow along on my Instagram account @Holly__Lyn. I started this for fun, as a way to process my feelings about Pride Month and what it means to me, so I hope you enjoy reading along.
Here's a link to the post with all the poems in one place.
I have a new poem up today at Liminality: A Magazine of Speculative Poetry. This poem is called “Acacia,” and it’s named after a plant commonly used in rituals and spellcraft.
Use to anoint torches and consecrate hope chests. Endows protection as well as psychic and mystical powers. If planted inside a fairy ring, it will bring prosperity to the closest home. If burned, it creates a hypnotic state that is often perilous.
TW: This poem deals with illness and cancer.
Read the poem at Liminality
Agents and editors are looking for submissions that quickly set themselves apart. The stand-out submissions are fairly easy to locate. While all of slushing is somewhat subjective (as far as taste goes, we all have different loves and hates), I’ve noticed that there are a couple of things that are distinguishable between the stories I loved from a slush pile and the ones I passed over quickly.
Read the full article here . . .
She memorizes the little spaces she could hide in --
the white place between letters on the page,
the dashboard — a blushing radio throne . . .
Read the poem at Write Wild . . .
Everything you’ve ever wanted to know about contests and writing fees, in one handy article. Writing contests abound. There are 695 contests on Duotrope’s listing of prizes and contests for poetry alone. There are writing contests run by big magazines and writing contests by little academic journals. Some contests pay a great deal, upwards of thousands of dollars, while others may pay a smaller amount. Some contests come with publication, others are a cash payout only. In some ways, this pay-to-pay model mirrors the way artists submit their work, often asked to pay a fee to be a part of an exhibition or gallery.
Read the whole article here . . .
There are many ways to play this game. In the forest of secrets, the past is always the first card drawn. To interpret the cards, one must keep in mind the divinatory and symbolic meaning of every single card. This works best in partners—an oracle and a querient. If a card appears upside down, its meaning changes, suggesting the opposite. These other meanings may be seen as yin and yang, black and white, dark and light, but the best oracles learn how to read between the lines...
Read the full story at Curious Fictions . . .
About the Author
Holly Lyn Walrath is a freelance editor and author of poetry, flash fiction, and short fiction. Find her on Twitter @HollyLynWalrath
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