I am on the radio today reading poetry! If you're in Houston you can catch my segment in the 2019 edition of Voices and Verses on Houston Public Media. Click above to listen!
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In this sound portrait, Walrath describes how she fell in love with poetry in high school, her love of the weird and her inspirations. She reads her poem, “Blue Cadillac.”

Blue Cadillac

Oh, the way you sat in
the drive, taking it all up.

I climbed into your cool interior, sliding
across the widest, darkest navy seats
spread beyond me, beyond my vision.
They seemed to expand and dissolve
into a bright light on the driver’s side.

We drove, through endless lanes
of white picket fences, long green,
green lawns, the Texas sun staccato
in the trees, and it may be that I wore
an Easter Sunday dress, all laced in white,
and bows on my tights, or white slumping socks
above black buckle shoes shining with polish.

And in the heat of a Texas summer,
how you could swallow me up
in your blue dusty smell, that
sweet sweet tobacco tucked
into the glove compartment
beside a lady’s silver lighter.
For the sun merely seemed
to enclose you, a line of gold
light above the leather dash.

But the very roundness of you, round seats
and silver knobs and panels like porthole
windows into another time, but mostly
the round, stitched-leather steering wheel
which was surely made for white driving gloves.

And somehow in this memory of you,
your massive lines like some primordial
behemoth long since dead and buried in
ice, the very blueness of you, I may have
remembered myself, another classic beauty.

This poem was published in my chapbook, Glimmerglass Girl.

Sometimes being a writer can be a little surreal. Yesterday, I went out to the Houston Museum of Natural Science to take pictures with the butterflies, today I get to share with you this Houston Chronicle feature about my writing. 

Poems have always been there for me. I've had a whirlwind of personal life stuff lately. Putting out a new chapbook. Moving to a new house. A death in the family. But I can always come back to poems. 

Thanks to everyone who has come with me on this journey and to those who've always supported my writing. It's lovely to know all of you. I'm grateful to get to share my words with the world. 

"Walrath’s “Glimmerglass Girl” is an intense collection of poetry that speaks out from the first page. Not for the faint of heart, it’s open, but sharp as Walrath doesn’t shy away from letting her readers see the blood, even if she lets it drip across flowers and suburban kitchen countertops.

The female experience is a large part of Walrath’s poetry. Much of the work does match her interest in the speculative. The spirits of nature and the wonder of fairytales are common themes across her verses. However, like fairytales there is something dark and primal underneath the resemblance to children’s literature."

Read more at the Houston Chronicle . . . 

I had the pleasure of chatting with fellow Finishing Line Press poet Andrea Blythe about what it means to be a weird writer, how Melville's poems are way better than that whale book, and refusing to cater to genre rules. 

Read the Interview here!

Today I have an interview up with Katie Lewington, a UK-based poet and book blogger! Katie and I chatted about my upcoming projects (Spoiler: Space Pirates!), how I balance writing/life (Spoiler: I suck at it.) and what poetry means to me.

Today I am featured on the NetGalley Insights blog, where I was interviewed about #GlimmerglassGirl being a top-requested book in poetry. I love getting to share some behind the scenes info on how I market my book for new poets who might be looking for tips and tricks. And of course, I'm blown away by the response to my book and the kindness of reviewers on Goodreads and NetGalley!

Read the whole interview...
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I was interviewed at South Florida Poetry Journal in their "Interview with a Poet" series about my favorite books on writing, what I'm reading right now, and whether poems have ever made me cry. 

"One of my favorite books is Edward Hirsch’s How to Read a Poem. Hirsch says “These poems have come from a great distance to find you.” He talks about how poems are a message in a bottle. As a writer, I send out my work into the world because I want the one person who needs it to find it.  The distance between the poet and the reader is a great gulf, crashing in the darkness, and I get to shine a light into the crevices and weird places of the world with my words. This is why my work is so often speculative in nature—because it’s the undiscovered country that excites me."

Read the full interview here...

I was interviewed at Freethinking Ahead, a blog about science fiction, feminism, and free thought, as part of their Speculative Poets in Conversation series. 

It was fun to get to talk about my new book, Glimmerglass Girl, in the context of feminism and resistance, as well as dip into my history as a Texas author and what that means for me as a woman. 


Read the full interview here...

I was interviewed by the kind editors over at Literary Orphans about my new book of speculative poems, Glimmerglass Girl, which is due out in August! Scott Waldyn has been nice enough to publish two of my pieces in the past, In the Dark World, a tiny microfiction about adolescence, and Peony Red, a poem which appears in my book and is about living a childfree existence as a woman. 

Read the whole interview here...
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I was interviewed by Charles Christian, editor of Grievous Angels who has been kind enough to publish my work in the past, about Glimmerglass Girl, witches, ghosts, and other weird things! Weird Tales Radio Show is available on iTunes and other podcast apps and also streams as an internet radio webcast on the Paranormal UK Radio Network Thursdays fortnightly.

I have an article up at Cotton Xenomorph today which lists the six elements of flash fiction for me. 

Writing advice is tricky. I struggled approaching this article because some part of me was adverse to the idea of the word "Manifesto." It seems so apart from what I understand flash fiction to be. So let me just say that this is just how I read and write flash fiction and not some grand set of rigid rules. 

We are all humans and we write in our own ways. I know this especially from working as a freelancer. I work with authors and I have to come into their space of writing gently because everyone is different. Some writers wake early in the morning to write before taking their three kids to school. Some stay up late chatting with friends online while revising. We fit writing into our lives, but we rarely sit down and think: What am I really doing here? How does this fulfill me and how can I nurture that feeling? For me, this list is how I nurture my writing of flash fiction and how I understand the genre. But it's just my own experience and understanding. 

The most important rule on this list to me is #1: Empathy. ​I think this also applies to our own work. I see so many emerging writers, marginalized writers, women writers, who are afraid to put their work out into the world. I wish I could say to all of you, your voice matters. Because putting your own vulnerabilities on the page creates empathy. We are humans who need to live in a shared world of experience.

So, lately I haven't been able to read as much because I've been so busy promoting my new chapbook, Glimmerglass Girl. But I was able to sneak in this little interview with local Houston author Patricia Flaherty Pagan on three books I love. 

These are authors that I return to again and again because their work speaks to me. I highly suggest you start reading them if you like short fiction and experimental work!

I was interviewed by the SFPA - Science Fiction and Fantasy Poetry Association about my writing background, my favorite trends in poetry today, being a Texas writer, and my love of dragons. 

Read it here!

I interrupt your regularly scheduled NaNoWriMo updates to bring you this interview I did with The Daily Author podcast over at Wooden Pants Network. I had a good time chatting about writing outside the box during NaNoWriMo and my writing process. 

We know NaNoWriMo as a month for novel writers, but I'm here to say that you can break the rules and write anything in November, as long as you're meeting word count goals.

I was interviewed by Patty Flaherty Pagan of Spider Road Press about my writing process and flash fiction. Patty is the founder of Spider Road Press, a Houston-based small press publishing writing by and about strong women, and I was delighted to get a chance to chat with her.

Read it here!